Sequential photography is best described as multiple photographic images arranged in sequences that explore the medium’s relationships to movement, memory, or narrative over an extended period of time. As part of my research, I spent three months in Paris, France, with support from the Mitacs Globalink Research Award.
Once I arrived in Paris, I spent most of my time in libraries and archives, such as the Bibliothèque interuniversitaire de la Sorbonne, the Bibliothèque nationale de France, the Bibliothèque Kandinsky at Centre Pompidou, and the Bibliothèque Roméo Martinez at the Maison Européenne de la Photographie.
I began by browsing through a range of French photography magazines and journals circulated in the 1970s and 1980s. Then I conducted research on various photobooks and exhibition catalogs from those same eras. I devoted my last month to investigating monographic publications by French photography scholars.
My host supervisor in the Université Paris-Sorbonne invited me as a visiting researcher at the Centre Victor Basch. I benefited greatly from this arrangement, as it allowed me to connect with other scholars and archivists at various French institutions. I anticipate that this network of intellectual relationships will be expanded even further during exhibition openings, archival consultations, and symposia.
I had anticipated travelling to Paris, given that my project delved into the passionate reception of the 1970s American photography among French intellectuals in the 1980s. The Mitacs Globalink Research Award provided me with an invaluable opportunity to pursue an extended period of research in Paris. The city’s archives and libraries allowed me to access and investigate materials that weren’t readily available in North America, such as dissertations, self-published photobooks, and exhibition ephemera.